Found this balance bike on the side of the road, my son loves it so time t
Do you want to be able to create beautiful travel journals but you just don’t have a creative bone in your body?
Then keep reading as I am about to share with you some practical tips and tricks on how to create a beautiful travel journal to save your memories from fading with time.
By following my tips, when you look back on your journal in years to come it will evoke your most fondest memories along with the people and places that changed your life forever.
Today, I am going to cover two areas:
1. Before you travel – Supplies you need – What supplies you need to carry with you (all travel light options ranging from 75grams to 300grams max)
2. While you are travelling – The process – How to approach writing in your journal from the thought process through to the final layout.
Before you travel – Supplies you need
Kit 1. Pen and pencil kit
Best for: People who want to write lots of words and travel super light! Even though this kit is light it still allows you to do some pretty fancy text work and only weighs 75 grams! It is best if you want to just write headings and notes about your adventures. Your journal will be mostly words with a few coloured headings.
- 2 coloured double ended calligraphy pens
- 1 super thick black calligraphy pen (4mm)
- 3 fine line pens of different width (0.1, 0.5 and 0.8mm)
- 1 double ended black calligraphy pen
- 1 push pencil with lots of lead sticks in the stem and an eraser on the end
- 1 zip lock bag
- Get pens with two ends so you can easily create thick and thin letters and save on carrying extra pens.
- Getting push pencils with lead sticks and inbuilt erasers saves you carrying separate sharpeners and erasers.
- Use zip lock bags as they are super light.
Weight: 75 grams (excluding the actual travel journal)
Kit 2 – Pen, pencil and paper kit
Best for: Creative thinkers who wants to add lots of colour to their travel journal. It has the pens to do fancy text but also has some watercolour pencils so you can add colour to your pages and glue to you can add momentos as your travel. Because of the glue I recommend carrying in a pencil case but still this handy kit only weighs 200gms.
- 1 coloured double ended calligraphy pen
- 1 push pencil with lots of lead sticks in the stem and an eraser on the end
- 3 fine line pens of different width (0.1, 0.3, 0.5 and 0.8mm)
- Small glue stick
- Water brush for brushing over the watercolour pencil work
- 5 watercolour pencils (the ones that dissolve into paint when brushed with eater)
- 1 pencil case
- Taking a glue stick lets you stick momentos into your journal next to your words or just as they are.
- Just use part of a postcard to save space in your journal. Most places that sell postcards sell the ones with 5 or 6 pictures of local scenery, hopefully places that mean something to you, so great for using in a journal when you don’t want a whole page to be just one postcard.
- Watercolour pencils are great for those who want the paint effect but aren’t confident with painting or don’t want to carry paints on their trip. You just draw and colour in what you want then lightly brush over with water to get the paint effect.
Weight: 200 grams (excluding the actual travel journal)
Kit 3 (My travel kit) – The artist kit
Best for: People who want to paint pictures in their journal or use paints to create beautiful colours or washes across pages. I wouldn’t travel without my whole kit. As an artist I have spent years traveling around countries with various paints, pencils, books, paintbrushes and have gradually reduced my supplies to the bare necessities. With these supplies I can create a while painting of just write some text. The weight is only 300 grams so I can still carry it in my backpack/handbag and not be bothered.
- 1 thick black calligraphy pen
- 6 fine line pens of different width (0.1, 0.2, 0.3, 0.5 and 0.8mm and BS)
- 1 pencil, sharpener and eraser
- Small glue stick
- Small scissors (note: remember to put in luggage when jumping aboard an international flight)
- Watercolour box paint
- 3 mini brushes that fit inside the watercolour paint box
- 1 black permanent marker – sharpie
- Small Ruler
- 1 pencil case
- If you plan to do a lot of drawing the pencils with the lead sticks will not cut it as the leads break easily if you are planning to use pencils for shading or pressing hard and soft to create different effects.
- I always take a separate eraser as the erasers at the end of the push pencisl often come loose or run out quickly if you do a lot of drawing.
- Scissors allows me to cut the perfect shape from a postcard or momento and place exactly where I want which gives you better effect and much better use of space.
Weight: 300 grams (excluding the actual travel journal)
My kit looks like this and thanks to the lovely Axel and Ash also includes their wonderful Wanderlust travel journal.
While you are travelling – The process
End of day reflection – Travel journals allow you to contemplate the experiences you have had at the end of the day and jot down the places, people and events you don’t ever want to forget.
So, find a cosy spot, preferably with a margarita and reflect! Ask yourself “what did I love the most about today?”, “what did I learn about the world?”, “who did I meet that was amazing and why are they amazing?”
If your travelling experience is 100% perfect and rosy and beautiful then you would be…ummm an alien! Things sometimes go sideways. Reflect on these things too and ask yourself “what annoyed me so much?” “is there a funny side to this after all?” Maybe you want to whinge about your travel buddy which would be funny to look back on later and is most likely a good way of dealing with some of the confinements of extended travelling groups.
Reflection allows you to gather your thoughts and decide what the key things are you want to journal. Free yourself from writing pages and pages of content by using reflection as a tool to uncover the top three things you want to say. As Mark Twain once said “I would have written less if I had more time”. Fill the time with cocktails at the bar, sunbaking by the pool or drinking hot chocolate by a fireplace in your remote Norwegian log cabin and then….by the end of your reflection what you write will be worth reading in years to come.
Step by step …
- Decide what you want to remember about today and what you want to say about it.
- Decide if you will use a whole page of your journal or just a part of it.
- If you only want to use part of a page use your pencil and draw a light line around the area you will fill.
- Lightly pencil in your heading making it as big as you think you will need for big fancy letters or small fine letters.
- Write what you want say.
- Stick in any momentos.
- If your experience was super special and you know you have some amazing photos leave some small 2 inch x 2inch empty boxes so you can paste them in when you return home.
- Go back to your heading – by then you may wish to change your heading text to something more memorable and easier to find in years to come.
- Making your headings pop by changing the height or width or direction.
I hope this article helps you get your creative juices flowing and the journal you create is as unique and beautiful as you
Wow second book almost ready! I’ve learnt lot through the process of both books and thought I’d share my process with you.
My grandparents went to the same church for over 60 years, sitting and listening to sermons, being present for funerals for people they love and for people in love as they promised their lives to the human being they chose to marry. Singing the ritual songs of people with faith in something other than themselves this seat has listened to their voices. After my Nanna and Poppa passed away the church closed down and my Dad picked up this church pew in a fire sale for $100. It has been in my possession for over a decade. During this time it sat in storage for a few years then for 5 years sitting idly filling every inch of my little balcony overseeing the coming and going of Careening Cove in Sydney Harbour. During this time it had the company of many of my friends bums while we sat and drank wine and mulled over so much of our lives, cried over losses, laughed about life events and pondered our futures. This seat has heard many stories and been present, staying quiet and still, as people leant in towards the curved corners and slumped in sadness or sat up with joy. As the time has past the paint wore down, the chewing gum placed under the seat probably 30 years ago hardened…but the wood has stayed strong.
I am half way through renovating this beautiful seat and as I sand back the layers of paint I can’t help but think about all the people who have sat on this shallow, long wooden church pew. Each deep scratch in the wood is a story which holds someone’s thoughts and prayers. Oh I wish it could talk …..Imagine the secrets it holds!
There have been many times I don’t know when to stop painting a picture. Sometimes, like with this Circus Acts painting it took me 7 years to start.
Having re-baselined my Circus Acts canvas over the last few days, getting composition and the final characters ready, in acrylic paint before I start the major oil paint operation (see main image of this post), I have come to really like my 3 tone characters. It makes me think that maybe they should all just be in monochrome colours. The rawness of the painting as it stands tonight; lent up against my easel makes me smile. I like the lines of chalk that I scrapped on to remind me where the light is coming from and the characters are pretty easy on the eye to consume.
Last night a friend of mine said she really liked one of my paintings of Sydney Harbour. I am always surprised when anyone says they like this particular painting as for years I wasn’t ever sure if I really finished the picture. It was in 2007 when I painted this Sydney Harbour scene. I didn’t like the painting and I was 100% sure it wasn’t complete but I didn’t know what else to do to finish. So I put it away, allocating it to the ‘Unfinished’ pile of paintings.
After years of not liking the painting I gazed at it again a year ago and decided I actually mostly liked it. I hung it up on my wall and there it remains today. Not perfect but finished nonetheless. When I look at it now it reminds me of my skills back then. I look at it and I think of the things I would do now if I was to do it again but I leave it be because it is finished, it was finished in 2007. It would feel like cheating to improve something I finished 8 years ago. I’m happy with it and lucky for me a couple of people even like it!
I trust more in my instincts now then I did back then. Now when I cant think of anything I else I can do to improve, I know that its time to stop. I put down my brushes and allocate it to the ‘Finished and Did My Best’ pile of paintings.
I looked on the internet tonight for tips on “how to know when to stop painting” and I got all sorts of websites giving advice like “watch out for muddy colours” and “get rid of your reference pictures and step back to look at it as a stand alone piece”. I think that advice is useless because it assumes everyone has the same perception of muddy colours and that artists can actually take an objective view of their own work (impossible I reckon – what do you think? Are you an artist? How do you look upon your own work before or after it is finished?).
When is a painting finished?
Nothing is ever really finished because as artists live, grow and learn we do more, do better, do different. So knowing when to finish a piece of art can only ever be decided by the artist at that specific point in time. A different day = a different finish.
Is my raw circus painting finished? No way! I will continue the Circus Acts painting for now as I have so many more ideas to bring to life on this canvas. Watch this space!
My first lesson in adding more than just the thing I am painting to a painting was when I got feedback from my uncle and grandfather on my first two oil paintings. One was of a sunflower and the other was of Australian wildflowers.
My uncle told me I was missing light on my wildflowers. I had slaved for hours over the various details and composition and picking the flowers. I was disappointed I didn’t get a “oh I love it!”.
When I showed my grandfather my sunflowers he said “your missing life from your painting”. Again disappointment reigned supreme as I was hoping for that elusive “oh I love it!”.
I went back to the sunflower painting and I added a lady beetle and spiders web to the leaves/long stalks.
I missed the point completely!
More paintings and more feedback I got to the truth.
How light falls on your art is one of the crucial elements that brings it to life.
15 years later here I am about to begin painting one of the most complex light settings in the history of paintings (I think). “A circus act with flood lights of various colours falling across many circus performers.”
Tonight I took a photo of my draft artwork and in photoshop I added various light effects.
As lights will be the last thing I add to the painting I will be printing out my final composition with the lights turned on and sticking it up next to my canvas so I remember where the light is coming from as I create shadows and bright sides to each of my circus performers.
I drafted this circus sketch in 2008 inspired by going to de a cirque du soleil show in Sydney. I spent hours colouring the hand drawn sketch in Photoshop and went as far as to pick a canvas sketch it out onto the canvas and splash paint onto the background.
Then I put it in storage not be looked at or worked on until today.
7 years later in 2015 I am finally getting back into it. First task is to re-sketch the performers – get composition correct. Then colour them in with pastels to get costumes and colour scheme correct. My plan in to paint the scene in oil paints… I wonder if I will get that far this time.
I do love sketching the muscles on the performers and I’m sure I will spend many hours deliberating over the costume designs and color schemes!
Oil painting has been sidelined for a week while I make 300 snowflakes for my soon to be 4 year old nieces Frozen themed bday party. Only 240 to go!!
People of the Ferry progress pictures. Another few weeks before I get to all the details and that includes the details of many friends who have kindly agreed to catch a ride on one of my yellow sea monsters!
Oil painting is my thing due to the complexity but large works can take months so I like to whip up a few acrylics in between …this one is called “Light at the end of a tunnel” made with acrylics and modelling paste with brushwork overplayed. Modelling paste is my new favourite toy!